See our Mp3 TRACKS, SHEET MUSIC, SCORES for Trombone. Go Here for the slide position chart for a tenor clef trombone with an F attachment trigger.Go Here for the slide position chart for a treble clef standard straight trombone.Go Here for the slide position chart for a treble clef trombone with an F attachment trigger.Go Here for the slide position chart for a bass trombone Bb-F-Gb.Go Here for the slide position chart for a trombone with an F attachment trigger. Slide Position Chart for Straight Trombone.Of course, these are drafted to scale on the ETSP Chart shown previously. For reference, I list them here, to the nearest millimetre. The chart itself is two pages so click on the above button to see the entire chart. The Everett chart does not show the actual lengths of the respective extensions. For more about the function of an F attachment trigger see: These comparisons are for a standard straight trombone – without an F attachment trigger. He has given me permission to adopt this chart. I received an email from Robert Hibberd with a chart he created from my Slide Position Charts to compare the Treble and Bass positions for the benefit of players who have learned from one notation and now desire to learn the other. If you want a good new horn, there`s the Miraphone which costs under $1000.TREBLE & BASS CLEF STANDARD STRAIGHT TROMBONE SLIDE POSITION CHART Getzen incorrectly referred to these horns as a slide trumpet and slide cornet respectively. This chart is for a standard tenor trombone without a trigger. Some trombones have a trigger which is referred to as an F attachment and replaces the 6th position. The Getzens came in two forms: one accepted a trumpet mouthpiece, the other accepted a cornet mouthpiece. Below, youll find a useful chart that shows the most commonly used slide positions for trombone (bass clef in C). I personally don`t recommend the Getzens because the bore-size is too small for my taste. Heres a three octave slide position chart and a first position (fundamental) overtone chart for the alto trombone. So are the harmonic anomalies like the 7th overtone being flat and therefore must be pulled up. Keep in mind that the alto is a perfect fourth above the tenor. If you want a good instrument, find an old Getzen. The second part is a positioning chart from the pedal Eb to the high Eb. If you learn the instrument in nothing but transposing Bb, you`re going to have a devil of a time surviving music in C.Īs far as instruments go, the Jupiter is okay to noodle around on, but expect a sticky slide with poor response. You are NOT going to get Bb parts if you`re playing certain arrangements for trombone choir- hence the reason I advise players to learn to play the horn in both Bb and C. What killed the soprano trombone circa 1930 was the emergence of large-bore horns capable of producing the big sound.Īs I said, if you`re playing trumpet music, expect to play parts in either Bb or C- learn the slide positions both way. It must be remembered that the music of the Baptist church is one of the progenitors of New Orleans-style jazz, so that it is no coincidence that there are similarities between Moravian trombone choir music and New Orleans-style jazz. Because this is hymn music, again the practice is to play slow, drawn out, expressive passages. Parallel to this is Moravian trombone choir music which got its start circa 1922. Both Louis Armstrong and Freddie Keppard played the soprano trombone, Louis when he played with Fate Marable on riverboats circa 1918, and later with Joe "King" Oliver`s Creole Jazz Band at the Lincoln Gardens in the early 1920`s.Īrmstrong and Keppard would have used the soprano trombone to play big, slow, ballad-like passages, because this is what the instrument is suited for, and because the cornet and early fake trumpet (the modern trumpet is really a cornet designed to imitate the sound of a real trumpet) which emerged at this time were small-bore horns with small bells and a really tight backbore. Both traditions date from the 1910`s and 1920`s. The 20th century repertoire for the soprano trombone is slow New Orlean`s jazz and hymn music. You`ll save yourself endless grief by learning the right way. Yes, you use regular trombone positions, and I strongly suggest you don`t get lazy and not learn your alternate slide positions. The soprano trombone is the little thingie in Bb that looks just like the alto, tenor, bass and contrabass trombone.īecause the soprano trombone is pitched in Bb, as a trumpet or cornet player you`re going to be learning this horn one tone out of whack, because chances are your music will be for transposed Bb.Īs far as that goes, C parts pop up all the time, so I suggest you learn the soprano trombone in both C and Bb. First off, the slide trumpet is a baroque instrument.
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